Schematix / Studio Nights

Dynamo II Schematic. Ink, colored pencil, mechanical pencil and embellishments on copy paper. 8.5" x 11"
Dynamo II Schematic. Ink, colored pencil, mechanical pencil and embellishments on copy paper. 8.5″ x 11″

My treatment of this migrating bird palm tree schematic draft is a hybrid of planning, playing, experimenting with shapes and colors, and journal entry. The thoughts and feelings I have about the work are sort of just poured onto this little sheet of paper and I decide how to use them on the larger piece as I go. It’s another kind of painting palette, maybe, but sans le paint.

Sometimes I have to make a rough draft. Or anyway find a visual means to process the themes in a miniature format before tackling a big working space in the confines of a small studio. This particular piece will eventually be projected onto a 5 x 3 foot canvas so I’ve been playing with this small copy paper version as a way to organize the elements. Honestly at times this feels counter-intuitive, because an energizing part of my work is the reactionary process with changes and transitions. Part of this, though, is that this is a previous painting I’m reworking (see my much earlier post about Shadow Palm, which will essentially be the under-painting). As with any rough draft, though, I can count on the final composition to look and feel much different from the initial, procedural steps.

Inkjet cutouts. T'ai chi poses.
Inkjet cutouts. T’ai chi poses.

Finding enough – time – to work on art is the biggest barrier to my practice. Between work, increasing need for sleep, all the personal relationships, worries about school, the daily grind of household and general life/hygienic upkeep, art somehow tends to fall down the priorities ladder to my unending guilt. I know someday I will have more time for art, but it is not an excuse to put it on the back-burner now. Despite this priorities pattern, I’ve been dedicating at least every Wednesday evening, without too many expectations. Last night for instance, I didn’t get much real “painting” in, but I did cut out a lot of cool inkjet prints of myself in various t’ai chi poses for collage elements, as well as work up the above schematic – in which some epic migrating waterfowl are centrally featured!

Snapshot of cutouts collés. Inkjet print on canvas with Liquitex heavy gel medium.
Snapshot of cutouts collés. Inkjet print on canvas with Liquitex heavy gel medium.

At times, when feeling guilty about not doing it, art-making becomes a chore. To get past that, I try to just allow myself the “studio time” to do whatever I want with (like cut out nearly nude pics of myself), as long as it is in some way art-related. It’s kind of like stretching; it’s not a full workout, but it’s getting ready for the real stuff. Every artist needs time to reflect, to spread out their tools and their inspirations, and just do what feels fun or productive for that particular mood or moment. Art should never feel like a chore, and when it does, I can’t see how creativity can thrive.

One thought on “Schematix / Studio Nights

  1. Zach, I feel the same way about writing. The everyday things seem to be more important then my writing so the thoughts just keep whirling around in my old head, I have talked to a man who has seen my writings and he is going to help me get some out there for the public to read. After going up North this week-end another story came to my mind. I have it down with pencil and paper and I am going to name it “Meandering down Hwy 23” I hope to get it onto the computer today along with a little piece I am writing called Minnesota September.

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