My latest project, a portrait of my second cousin Anna’s pooch Schatzie, is now finalized! This was an incredibly fun piece to work on, both for the larger size, the opportunity to play with color, and the detailed brushwork that such a close-up demands. In this portrait, I continued to tease out color nuances and “transitional” hues between distinct color stations, as well as creating a sense of depth, an overall goal in my painterly development. Throughout this process I also dove deep into the rich complexity of the color blue. Particularly, I worked with ultramarine blue – a sober, stoic blue who does not want to be green or violet, and would much rather fade to gray than roll with change – and primary cyan, an energetic, electric blue that readily mutates but has a naive quality that is somewhat related to finger paint. As I worked through the phases of this portrait, the intriguing synergy (yes, synergy!) between these blues became the primary focus.
Overall, the pet portrait projects have blasted off. So far this year I have had four commissions, and there are a handful in the pipeline, including portraits of two-legged (read: human) subjects. Through these portrait commissions I have begun to carve out a unique style, deepen my understanding of color theory, practice classic techniques such as layering and glazing, and also develop my business sense as an artist – something I certainly did not learn in art school. They also help me escape from puzzling over my recent abstract work when I get in a rut.
In other news, tonight is the opening for Norseman Distillery’s first juried exhibition. My older painting “Tuberculosis” will be featured alongside the work of 34 other artists selected for the show. If you can make it, I would love to see you there! Make sure to follow this blog for updates on upcoming shows, or simply if you are interested in the cracked insights of a 30-something-artist-geek-nurse-by-day/eve/night-animal-lover-freak-of-nature ;)